The idea of working in series started helping me about two years ago. By doing this, and using limited pallates, a needed discipline was introduced into my painting routine. Since painting was not a profession then, time restraints and subject matter had no restraints. (Which is an arguement for supporting oneself with a day job; but, day jobs don’t always work out - also employers tend to want all of their worker’s time.) For me, restraints provide a direction for my paintings.
I say restraints, but it is more like intentional habits that form my process like I do a painting. Partially muscle memory, how one stands, pressure of a pallete knife or brush on the chosen canvas, and even how one holds the instrument. When I am not worrying about composition, I can focus on those details.
I have no idea if this is helpful to anyone. Sometimes, I just need to put things into words to understand things in my head.
B Powell